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I just think thatвЂ™s so funny, the idea of an inner child made tangible. And they talk about this idea of re-parenting and loving the inner child. As a person, IвЂ™ve spent a lot of years going into very dark places and you do a lot of work to get out. Obviously, this show is trying to have a bit of a sense of humor. Where did the idea come from for the Nadia-as-Nora-giving-birth-to-Nadia scene? But sheвЂ™s like, вЂњNo, IвЂ™ve seen movies.вЂќ And I do like the idea that Alan and Nadia are opposite sides of a spectrum in their approach to the rules of time travel. Oftentimes, you see these characters who arenвЂ™t supposed to know the rules of other states of play. Similarly in Season 2, the jump is that Nadia can integrate an experience and use it to her own purposes pretty quickly. You see that a lot in Season 1 when sheвЂ™s cutting the orange and explaining the nature of time and experience and whatвЂ™s going on. And Nadia is like, вЂњHey, Annie Murphy is back there in the вЂ™80s, so I got to get back.вЂќ Nadia has this weirdly specific skill of being a coder and working in this video game design space where she understands the rules of play easier than the next person. Or in MaxineвЂ™s case and LizzyвЂ™s case, regardless of what wormholes youвЂ™re finding, youвЂ™re not showing up for Ruth, who is your real godmother who really needs a caretaker right now. As a New Yorker, thereвЂ™s a shorthand with the pals who are only half-listening and really just want to know if youвЂ™re going to make it to dinner or not. In the most simplified version, Season 1 is вЂњGroundhog DayвЂќ and Season 2 is вЂњQuantum Leap.вЂќ WeвЂ™ve all seen this, so there is a shorthand with the audience. When it comes to the rules of time traveling, how did you decide what Nadia and AlanвЂ™s behavior would be like? Nadia very clearly is not concerned about casually revealing who she really is to people when sheвЂ™s in NoraвЂ™s body, who donвЂ™t actually listen to her or believe her, and is actively trying to change things, but Alan is very, very careful about not wanting to disrupt past events while inhabiting his grandmotherвЂ™s body. ItвЂ™s not about my mother or father, doctor.вЂќ And yet here we are, and it is.Д¬hloГ« Sevigny as Nora in вЂњRussian DollвЂќ/Netflix VANESSA CLIFTON/NETFLIX My questions about this boyfriend are just in the here and now. And try as you might to be like, вЂњNo, really, this boyfriend is different. I always find it incredibly frustrating that in therapy, you cannot escape your family of origin. What were you trying to say with this version of time travel, versus a more traditional way of approaching that plot device? Intergenerational trauma is a big theme in Season 2, explored in a very literal way thanks to the body-swapping element. And who knows? Who knows if theyвЂ™ll ever let me do this again? Yes, one of the jumping off points of Season 2 is this Italian physicist Carlo Rovelli and this idea about the arrow of time and asking the question, why can I remember the past, but I canвЂ™t remember the future? That opens up some big questions. The show is always going to be a philosophical, psychedelic meditation on the nature of time, mortality and so on. Without saying too much, that thought has occurred to me, as well.

Having finished Season 2, in a simplified breakdown here, it seems Season 1 is focused on the present, Season 2 is focused on the past - does that mean youвЂ™d be looking into the future for a potential Season 3? Charlie Barnett as Alan Zaveri in вЂњRussian DollвЂќ/Netflix VANESSA CLIFTON/NETFLIX

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